How to paint Rasputina – tutorial

I’ve been a great fan of HR Giger‘s art for years. Nothing unusual among us, fantasy and sci-fi fans. But being a miniature painter I always wanted to paint a miniature in a style inspired by HR Giger’s art. When I wondered how to paint Rasputina from Wyrd Games, the concept came to my head…

Everything became clear immediately when I grabbed the base that I chose for the model. The image I had in my head was so strong that I can’t even think about how disappointed I would have been if the customer would have said “no” to my concept.

How to paint Rasputina the Ice Witch (Alternative) - tutorial

[inset side=left]I wanted the paintings to immediately remind of Giger’s work.[/inset]

But how can you be surprised? If the whole world is so full of Giger references, how can my little head be an exception? I started with what I had a complete idea ready for – the face on the base (from Scibor Monstrous Miniatures).

My intention was not to copy any particular artwork, but more along the lines of using it as inspiration and fitting it into my own compositions. Still I wanted the paintings to immediately remind of Giger‘s work.

Is there anything that I regret now? Oh, yes. The fact that I didn’t decide to put screws in her cheeks. The idea is still on my mind, maybe to be used one day?

How to paint Rasputina’s base

For the base my inspiration were these two paintings:

HR Giger: Debbie I
HR Giger: Debbie I
HR Giger: Li II
HR Giger: Li II

Here’s my initial color palette, the colors that I started with.

How to paint Rasputina the Ice Witch (Alternative) - tutorial

And the brush that I chose for this part of work. It was going to be fine-detailed painting, so a 3/0 brush from Raphael 8404 series was a good starting point.

How to paint Rasputina the Ice Witch (Alternative) - tutorial

And off to painting we go…

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

While painting such parts remember to take advantage of being able to rotate your model. Adjust its position so your brushstrokes aren’t too much of a challenge to pull off.

[inset side=right]I turned my model upside down, so the rounded shape didn’t require any corrections.[/inset]

Here I wanted to achieve a nice, rounded finish for the stripes, so I turned my model upside down so I could pull the brush from the top downward, so the rounded shape didn’t require any corrections.

I know that everybody is holding their brush in their own way, so I recommend that you pay attention and observe the way you’re working with your brushes, so that you can take advantage of your own work style. Such little details make painting much more enjoyable and faster.

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

I added little touches like the shadow under the diadem. They may seem to be only minor things in the overall picture, but I found they add a lot to the feel and completeness of the whole paintjob:

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

Sometimes I thought it would be better to break the surface into smaller ones somehow. And in fact sometimes I treated this idea quite literally. 😉

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

And this is what my palette looked like by the time I finished painting the head. Much richer than at the beginning, isn’t it? 😉

How to paint Rasputina the Ice Witch (Alternative) - tutorial

Now here is a photo of the finished head. This photo shows its colors, tints and hues much better than my humble WIP pictures:

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina’s cloak: front

Here’s what I started the cloak with:

HR Giger: A. Crowley the Beast 666
HR Giger: A. Crowley the Beast 666

For the cloak I chose motifs that would look good in the composition, but also the ones that I liked more.

Sometimes shapes or edges of the sculpt suggest me where to place those motifs. A photo is always flat, so you may have difficult time noticing the reasons why I placed those details the way I did…

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

When I planned how to place the first three graphic elements, the surrounding space inspired me with its shape and shadows to arrange it this way, with the skull and female body:

How to paint Rasputina the Ice Witch (Alternative) - tutorial

And here’s another motif from Giger, arranged to follow the edge:

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

And the lower right part, below Rasputina’s feet, just begged to be painted with those… let’s call them “fishes” for political correctness’ sake:

HR Giger: Vlad Tepes
HR Giger: Vlad Tepes

How to paint Rasputina the Ice Witch (Alternative) - tutorial

When I covered all the surfaces with freehands, I considered the front of Rasputina’s cloak done:

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina’s cloak: back

I got a bit distracted and forgot to catch the earlier stages of painting this element on my photos, so here’s the first shot of this part I managed to get:

How to paint Rasputina the Ice Witch (Alternative) - tutorial

There were two paintings from Giger that were my inspiration for this part of my paintjob:

HR Giger: Spell II
HR Giger: Spell II
HR Giger: Li II
HR Giger: Li II

This time I had to start with some larger shapes, so I started with a larger brush. A 1 from Raphael 8404 series:

How to paint Rasputina the Ice Witch (Alternative) - tutorial

I planned to place the skulls on raised parts of the surface and started painting the weaved pattern. The way I painted it will be easy to follow on the next few photos. Painting such plaiting could be explained in a few points:

[inset side=right]Painting plaiting could be explained in a few repeating points.[/inset]

  • sketching the lines,
  • separating them with the classic black line, creating a chaotic plaiting,
  • glazing over the whole surface,
  • adding more lines,
  • separating them with the classic black line, creating a chaotic plaiting again,
  • adding another layer of highlight on visually more raised lines to emphasize zenithal lighting of the model,
  • glazing over the whole surface again,

… and so on, until I ended up with what you saw on the photo above. See the whole process on the following photos. After this the surface was ready to paint a few skulls on it.

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

To add some color variation between the elements – the skulls and the background, I shaded the skulls with a slight addition of this color:

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

Although it is not a huge difference, it brings them a bit forward and sets them off from the background, as you can see on this photo:

Adding the fern

Now that the main model was painted I decided to tweak the base a bit, so I can also show you how I played with the fern:

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

Despite all my admiration of this pattern of bases, I must admit that the way those floral motifs are sculpted is not making painting any easier. I decided to cover them a bit, but to tie the real fern a bit more with the sculpted ones, I had to exaggerate a bit on the real thing, making it a bit grotesque:

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

[inset side=left]I used strong hair modelling gel to shape the fern[/inset]

As you can see I applied some glazing and then drybrushed highlights on it before applying the fern on the base. Later I only needed to tweak shading a bit, and adjust the shape of my fern.

I used strong hair modelling gel to shape the fern:

How to paint Rasputina the Ice Witch (Alternative) - tutorial

See how it added some detail and depth to the base?

Finished model

Done! My model was ready.

Now you can see which bits from Giger’s paintings were my inspiration for which parts of my paintjob.

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

Here’s the finished paintjob. I think the question “how to paint Rasputina” has at least one answer now. Not the only one for sure…
But if you happen to have any more questions, feel free to ask them. I will try to answer and offer my help where I can.

How to paint Rasputina the Ice Witch (Alternative) - tutorial

How to paint Rasputina the Ice Witch (Alternative) - tutorial

I am really curious what you are going to do with your interpretations of this little miniature. Looking forward to seeing your versions!

Want more?

[inset side=right]This special pack includes the tutorial enhanced with even larger photos.[/inset]

Although this is already the whole tutorial that I prepared for you, and I think the size of photos is completely sufficient for understanding the process and concepts behind my paintjob, we prepared some kind of a gift for some of you! Or actually a way of saying THANK YOU to those who offered donations that help us run the website.

This special pack includes the tutorial enhanced with even larger photos. They allow to see details that you might have difficult time spotting even in real life, including flaws, imperfections and often even individual brush strokes.

So if any of you decided to share a donation with us and let us know you are interested in the bonus, and we’ll make it available to you. This is our way of showing our gratitude for supporting us.

Thanks for your interest and enjoy the tutorial!

How to paint NMM gold – Recipes

We keep receiving questions how some of your favorite works were created or about some aspects of their creation – like NMM gold recipes. Recently painted Black Templars terminators from Irkuck and Benathai caused another wave of such questions.

To respond to popular interest, we asked both authors of these miniatures how to paint NMM gold the way they do. They answered and here are the recipes they shared:

Benathai’s NMM gold recipe

  • Basecoat: P3 Bloodtracked Brown (or Citadel Bestial Brown)
  • Highlight #1: basecoat mixed 1:1 with Sunburst Yellow
  • Highlight #2: Sunburst Yellow + a little white
  • Shadow: Devlan Mud or Black Wash
  • Glaze: Yellow Glaze (or P3 Yellow Ink)
  • Finishing touches: final white highlights

  How to paint NMM gold - recipes (2)

Irkuck’s NMM gold recipe

  • Chaos Black
  • Snakebite Leather
  • Sunburst Yellow
  • Skull White
  • Wash of Badab Black
  • Wash of Gryphonne Sepia

How to paint NMM gold - recipes (1)

Final effects

Now here is the finished unit – some miniatures were painted by Benathai and some by Irkuck. Do you think they blend together well enough to make a coherent unit?

How to paint NMM gold - recipes

If you would like to know more, feel free to let us know or ask your questions in the comments section.

Painting Hell Dorado Immortals warband – Tutorial

Welcome to the article devoted to painting a whole warband. I will try to give you a step by step photo report. And the main actors will be Immortals from Asmodee/Cipher Studios.

Stage 1: Know your models

So we spent few euro or dollars, bought some cool looking models and it is time to have a good look what did you get. Maybe there are some parts missing? Maybe there are some miscasts?

If everything is ok, then now is the last call to have an idea how to paint the warband. What theme or background story? What color scheme? What units? What bases?

In my case the answers are no theme, original red-gold scheme, all units, Scibor‘s bases. It makes putting such group easier when there is a clear idea in your head. I know I am not being original, but this is also a decision later to stick to. 😉

So I take a good look at all the miniatures and put in separate piles. I try to, without glue, put these together and see if the parts match. Now is the perfect time to think about conversions and to look for extra parts in your bits box. If you found something there, just put it on the pile.

Stage 2: Removing mould lines and putting models together

Those models are supposed to fight on the table and we all know what happens to them when transporting or falling over on the table. That is why I try to pin the parts together. Tools that I use:

The pins which will hold the parts together are done (or better cut) from paper clips:

There should be also a picture of super glue or any metal glue, that glues the metal parts in few seconds. 🙂

A word about mould lines… I hate them! To clean them, takes a lot of time, but I see no other way. This job takes plenty of time, but it is simple. Believe me, it is worth to clean the miniatures from them. Later they will take a lot of the miniatures’ beauty away. I spent 2 evenings to clean all the parts from mould lines, but this job needs to be done – even on tabletop miniatures! Now, when all the parts are separate and easy to reach, it is the best time to remove them. Later it will won’t be easier. 😉

So let’s move to some examples – this djin has be cleaned from mould lines and all the parts are together (so that I won’t forget anything).

First I try to glue the biggest parts, in this case it is the torso. You can see on the picture a small cut from pater clip (called a pin) and two holes (drilled by me) in both parts of the torso. Before you glue – try to pin the parts without glue – if it’s ok, put some glue on the parts and into the pinning holes. If not then maybe the pin is to long or the holes too small?

To be sure that you drill the holes in perfect positions on both parts, try this simple trick:

  1. Drill a hole in one part,
  2. Put some paint around the hole,
  3. Try both parts together (with your fingers, not glue),
  4. Remove the second part and you should see the exact place where to drill.

And there we have a finished cleaned and pinned djin.

While removing mould lines from a ‘froggy warrior’ I accidentally broke the lance into two parts. It happens quite often, when the parts are small and fragile.

So what did I do – first I finished removing all the mould lines:

… and drilled holes in both parts and pinned them:

I also had a bit of problems with glueing the small parts with the torso, but with the help from pincette it was much easier. Here are the horns that are supposed to go on the shoulder pads:

I stick glued and pinned models together on cork. It makes further steps, like cleaning/gap filling/painting, much easier. You can easily rotate the cork and not touch the miniature. Another benefit is that when you clean the miniature (more to come), it won’t get dirty or greasy from fingers.

At the end of this step we get something like this:

Stage 3: Preparing for painting

All miniatures are on cork, waiting to be painted. Before we go to this step, there are some more things to be done. Usually glued minis have gaps, holes that don’t look nice. With these tools I will fill them:

Here is a mercenary djin with filled gaps.

I must admit, that using liquid green stuff from Games Workshop helps a lot. Filling small gaps isn’t a problem, but sometimes the gaps are too big, just like here:

The best way is to use normal green stuff or any other putty.

Now we are almost ready with putting undercoat, almost… We were touching the miniatures with dirty hands and the miniatures need a wash, so that the undercoat spray will hold on the miniature better. It will also remove any fat or oils from manufacturing process. We just need an old tooth brush, soap and dish washing liquid.

Pour some hot water and gently wash the miniature. I had no problems will super glue losing its characteristic because of water, so I can say it is safe!

Stage 4: Priming

Give the miniatures a day or two to dry and now we can finally prime the miniatures. This time I have used the Tamiya grey primer:

The from a distance of 30cm I spray each miniature 3 times:

[list class=bullet-2]

  • from each side (vertically)
  • from top (from each side)
  • from below (from each side too)
  • I just hate when later there are some not covered places on a miniature and the paint doesn’t stick.

    And there you have it, now we can finally start to paint the Immortals. You may think and say that it is way too much for all those steps before painting. I think it is worth to spend 2-3 evenings longer to have no problems later.

    Stage 5: Painting human skin

    It is important to plan the painting on all miniatures in a band. I thought the best option will be to paint the biggest areas first. That is why I started with human skin.

    Step 1

    First I’ve created a base color:

    [list class=bullet-2]

  • pink 10%
  • Bronzed Flesh 20%
  • white 10%
  • Elf Flesh 60%
  • You might wonder why a bit of pink. 🙂 Well it is because in my opinion it gives a more natural look and makes the skin look more interesting. The paint was diluted 1:1 with water, so I had to cover the skin twice with the base color.

    Step 2

    Then I gave the whole skin a wash of Ogryn Flesh and Devlan Mud in the deepest shadows.

    Step 3

    When the washed surface was really dry (I waited about 30 minutes), I covered the muscles with the base color plus I added some more white to the mix.

    Step 4

    For the final highlight I mixed 40% base color with white.

    Stage 6: Painting the creature’s skin

    Step 1

    Once again I started with making a base color:

    [list class=bullet-2]

  • Hormagaunt Purple 20%
  • Elf Flesh 40%
  • Menoth White 40%
  • There is only a small bit of purpule, but it is very visible. It is because Hormagaunt Purple is a foundation paint and those have much more pigment in it.

    Step 2

    Leviathan Purple wash and a bit of purple + black wash in those deepest shadows.

    Step 3

    Just like with the human skin, I highlighted the muscles with base color.

    Step 4

    Top places were highlighted with 50:50 mix of base color and white.

    At this stage I think I can say I am 25% done. 🙂 That is the biggest advantage when choosing the correct order of painting – you get the results fast and you stay motivated. 🙂

    Stage 7: Painting the red clothes

    Now we come to the best part, well in my opinion, painting the red parts. I know an easy way how to paint good looking reds and now I will share my secret with you. 😉

    The secret is simple when it comes to red, there are two important things:

    1. What color is under the red,
    2. Don’t highlight the red, just darken it.

    Step 1

    As always I make a base color mix and cover the whole parts:

    [list class=bullet-2]

  • Blood Red 30%
  • Scrab Red 50%
  • Dark Flesh 20%
  • Step 2

    To the base color I add more Blood Red and pink.

    Step 3

    For the final and brightest highlights there is just Blood Red & white.

    Step 4

    Now comes the most important part. Paint pure Blood Red diluted with water, on all those highlighted areas. Do you now see the richness of red color?

    Step 5

    To make the red looking more interesting and more contrasting. I did a wash with Blood Red wash, a bit of black, purple, Scorched Brown and dark blue. Wash the deepest areas with this mix.

    This technique seems to be very intensive, but as you can see on the pictures you don’t have to be that accurate most of the time. 🙂 Even though it is very simple, I find it excellent for table top painting.

    So now the Immortals warband is 50% finished.

    Stage 8: Bases

    As already mentioned for the bases, I have decided to buy them from Scibor Miniatures. First of all they were cleaned and washed in water and soap. To save a bit of the money I bought a set with only heads. Seven bases I did on my own, trying to keep them similar to the ready ones, using just those heads, cork and sand.

    To make basecoating and painting easier, I wrapped a bit of adhesive tape on a piece of plastic. You can also buy a two side tape, that makes the whole job much easier.

    Everything was basecoated, and since I ran out of the grey primer, I had to use black one. 🙂

    Citadel Foundation brown paint was used to paint the ground.

    And the I just highlighted the earth with Bleached Bone by drybrushing.

    The stones were base coated with Citadel Foundation grey.

    Then I drybrushed it with Codex Grey.

    Another drybrush with Games Workshop‘s Space Wolves Grey

    The last stage was to drybrush with pure Skull White only at some of the most visible places.

    The flowers were painted green and dry brushed with yellow, some static grass was ‘planted’ and the rims were painted dark brown:

    Stage 9: Painting white

    Because the miniatures were primed with grey, I didn’t have much to do here. This is how they looked after priming:

    Then I heavily diluted the Games Workshop‘s Codex Grey with a bit of blue to make a wash:

    After that I just highlighted with white:

    Stage 10: Painting metallics

    I already told you, that I paint in a way to cover the biggest surfaces first. After painting the skin, reds and white now is the time to paint some gold and silver. I was painting them together at the same time.

    For gold I first used Games Workshop‘s Shining Gold and washed it with Gryphone Sepia:

    Then with Burnished Gold I highlighted the most visible scales on the armour and shoulder pads. For the silver parts I have used Chainmail Silver.

    The silver parts were light lighted with Mithril Silver.

    Then the silver was washed with Badab Black wash.

    And again with the same wash. 🙂 Just to make the silver look older.

    Then while I was painting the ethereal smoke, I came up with an idea to make the metallics look more interesting and break the color. I painted small areas with very diluted Scaly Green to make patina.

    As you can see, the miniatures are already 90% done!

    Stage 11: Painting ethereal smoke

    This one also goes really fast. First wash the smoke/cloud with grey.

    Then comes a wash with a mix of Scaly Green and Scorpion Green. That mixture goes into the deepest areas. At this stage if you would like the smoke to have different color, i.e. purple, you could mix some other paints.

    At the very end with white paint I just highlighted some areas to make the contrast stronger.

    And that’s it…

    Because of the batch painting the war band was fully painted in 3 months. In case I didn’t paint every evening, so it is possible to finish them in much shorter time.

    I already hear you asking – what about not painted parts? Well those parts were painted just using one paint only. The painting colors were really simple:

    [list class=bullet-2]

  • hair – Chaos Black, drybrush with Codex Grey
  • sticks – Scorched Brown
  • shoes – Bestial Brown
  • leather strips – Gore Red
  • The point was to have a painted war band in a very short time, that is why I tried to focus on the biggest and most visible surfaces.

    Now it’s time for some final photos.

    Finished Hell Dorado Immortals

    My both Hell Dorado armies together:

    Please give me suggestions how to show, explain things better. Everything that could make such articles more interesting and informative. Ask many questions, tell me if I didn’t explain something clearly.

    Thank you for support. 🙂

    — Sea.man

    About driving and contrasts in miniature painting

    What can driving teach you about painting miniatures and improving contrast in your paintjobs? Let me tell you about an interesting experiment that I read about:

    The experiment

    Drivers were asked to drive at a constant speed of, let’s say, 60 km/h. Then they were supposed to speed up quite much – to 150 km/h, and then to slow down to 60 km/h again but without looking at the dashboard. Now what was the result?

    About driving and contrast

    Most drivers slowed down only to 80-90 km/h, yet they felt they were driving at 60 km/h already. Their senses got so accustomed to higher speeds, that their perceived level of “normal speed” increased.

    I had a very similar feeling today. After driving fast for some time I had to slow down to 50 km/h and when I checked the dials of my car, I noticed it was not 50 but 70 km/h. You must know the feeling too…

    But how to apply it to miniature painting?

    The common complaint

    When you browse dozens and hundreds of miniatures presented by painters looking for feedback, you will surely notice that a common problem is that their paintjobs look boring, monotoneous. So the commonly offered piece of advice is “more contrast!”. But what you hear in return is “the paintjob is contrasted enough already”.

    So what’s the deal? Is it that the painter doesn’t want to hear criticism and advice, or maybe they cannot see what’s wrong?
    Usually it’s the latter. But there’s an easy trick to make them see!

    Pandadosmares’ story

    You surely recognize Pandadosmares from our miniature painting forum. This Portuguese painter kept receiving the same advice and no matter how he tried, he couldn’t get it right. And then he came to Poland to Hussar 2010. This gave him a chance to see works of other miniature painters and what he realized was that regardless of his previous convictions, the contrast of his works was still insufficient.

    This live demonstration allowed him to make progress in his hobby again, after some time of experiencing a problem with making any improvements. One of his repeating comments after the contest was that he was surprised how strong contrasts were used by better painters. And the kind of contrast we mean here is not using contrasting colors, but strong chiaroscuro – deep shadows and strong highlights. And no, the contrast doesn’t have to be abrupt, it can be smooth – it just helps emphasize the sculpt.

    Sculpting with light

    One phrase I picked up from Ana is that painting is a lot like sculpting with light. And this is true: miniatures are small, so natural chiaroscuro is not very intense. If you exaggerate it a bit with your painting of lights and shadows, you will make the miniature more dramatic, more interesting and more eye catching.

    Now think, which version of this paintjob looks more eye catching? Not realistic, but more interesting:

    How to increase contrast
    No, these are not to different paintjobs on the same model. It’s a digital simulation only, but it gives some idea, doesn’t it?

    I used a picture of one of my older works. Now imagine you see them both on a gaming tabletop or in a display cabinet. Which one catches your attention easier? And on the second look, you pay attention for quality of the paintjob, but that’s another story…

    So you want to do a little exercise?

    Speed up and then slow down!

    Remember the experiment from the beginning of this article? After driving at high speed for some time, drivers had altered perception of what normal speed was. When they slowed down, they thought they were actually driving slower than they really did. Why not try it with miniature painting?

    So do it in a few simple steps:

    1. Assume that the level of contrast you actually use is your normal contrast level.
    2. Take a new miniature. Not necessarily a valuable one, it can be something as common as a simple plastic goblin. It’s just a subject for the exercise.
    3. Now paint it with extreme contrast, and by saying extreme I really mean it. When shading – shade to black. When highlighting – go up to white. As I said before, no need to do it abruptly – if you enjoy smooth blending, keep your style. Just be extreme with your highlighting and shading.
    4. The miniature is painted. It looks exaggerated and cartoonish, doesn’t it? Probably not very realistic, but when placed in a display cabinet it would attract attention, at least from distance, wouldn’t it? Now you’re driving at high speed, so to say…
    5. Do you feel comfortable with the “speed” already? If you do, move on to the next step. If not – maybe you should practise a bit more, paint another miniature this way? You’re not doing this exercise for us, but for yourself!
    6. Now slow down and return to your normal speed. Oh wait, I didn’t really mean driving but painting 😉 I meant returning to your normal level of contrast. Paint a miniature with your normal level of contrast now.

    And what do you think? Did your perceived level of contrast you were comfortable with shift, just like the level of speed shifted for the drivers?

    How to increase contrast
    And again I used my old paintjob to depict what the whole exercise is about…

    The exercise can be repeated once in a while. Whenever you feel you would like to push yourself a bit further – give it another go.

    Results? Shifted “normal” contrast level

    I am curious if this method worked for you. Why don’t you share your results with us and discuss the method in the comments or on our forum?

    No, we’re not saying you should be only painting exaggerated highly contrasted paintjobs now, not really. It was only a tool to solve the situation of being unable to push your contrast that one step further and becoming comfortable with it. Just another tool in your miniature painting toolbox.

    I hope this post was helpful or at least inspiring for you. 🙂

    — Mahon

    How to make a ‘Scavvy bunker’ photography background

    Hello all!
    It’s been a while since I managed to prepare something worthy publishing but sadly when life issues strike – there’s no other way than face them. Fortunately I had a short break from the life recently during which I managed to slap paint over some minis, play some Necromunda matches and of course: write this short walkthrough explaining how to build a Scavvy bunker which I use as my photography background.

    Crucial question: What for?

    The first question about the project should be: what for?
    After ~15 years in the miniature wargaming I realised that although fancy studio pictures of miniatures are very nice what REALLY makes me want to get some new toys is watching the precious models in the action. Nicely painted models placed on nicely prepared battlefield is something just stunning. I still can see beautiful Warhammer Fantasy armies from the battle book and Warzone corporations from Mutant Chronicles zine.

    Therefore last year I started building modular gaming board worthy of our miniatures (and Necromunda campaign of course) but because my hobby time is limited and the table is rather big (work in progress aerial pic below) the decision was made to prepare small piece of terrain and paint it the way I want to see the battlefield one day. I was bored using printed backgrounds for taking photos so this small display piece should fix my problem.

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    Preparations

    The base was planned big enough for about dozen miniatures. I grabbed thick PVC sheet and cut ~5″ x 11″ sheet. As for the back wall – it’s height was determined by size of the gate (about 4″) and spare space in my glass case.

    The gate

    It was cast using Hirst Arts molds – instead of recommended clay I used resin with solid amount of filler. This stuff makes casts “crunchy” and much more fragile (bad idea for mass production) but also easier to work with when it comes do sandpapering or drilling. Of course using clay will also work – just there’ll be a bit more mess on the hobby station.

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    And here’s the assembled gate. All the edges were treated with sandpaper so it’s easier to install into the frame.

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    Once again I used molds to cast the frame – not much more to write about here.
    The green slime is test of colors I was going to use for tox bombs – never let Scavvy boss out into the combat zone without supply of this nastiness!

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    And here’s the gate confronted with the back wall. As you can see there’s another frame around the gate. If I remember correctly all these cool parts can be found in the single sci – fi mold.

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    The entrance is done and inserted into the hole cut in the wall. The excessive bottom will be cut off and smoothed so it can be pinned and attached to the base.

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    And here’s the general idea of some bits to be added: some floor tiles and some vents (made of headphones broken by one of my cats – thanks a lot Cruiser, you bastard…)

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    More bits!

    The tiles have been placed into the prepared holes (don’t worry: wallpaper knife deals very easy with PCV sheet, almost as easy as blessed chainsword with heretic’s throat) and also some windows were added. To make the job as easy as possible I simply cut long rectangle shaped hole, covered it with thin PVC frame simulating windows (2mm PVC can be cut with scissors) and added some nails so I can paint rust around them in later stage. Bright rust should work as nice eye catcher especially on dark metallics.

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    Another step was adding mesh into the windows – I really like such additions especially it looks really decent even if only slightly drybrushed and hit with some brown washes. The mesh was pain in the ass to work with and I had to use special shears to get desired shape. Hobby clippers definitely weren’t enough.

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    Some more bits added to the junkyard.
    Also I attached another sheet of PVC to the back so you cannot see through the windows. Some metallics were painted as well (boltgun + black) – do it as fast and easy as you can, it’s just terrain piece so doesn’t need as much attention as models.

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    And more bits – this time it’s the final re-arranging.

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    Rusting!!! I meant painting…

    Like I wrote the piece was made to fit the battlefield concept: the gaming board is desert area (something inspired by Necromunda Ash Wastes) with some ruins and abandoned, corroded installations. This brings my fav way of painting (easy and effective that is): painting sand is almost pure drybrush while with a bit of practice you can paint huge chunks of rust really fast.

    The natural decision was to start with the rust because I didn’t want to see the mess on the sand. After whole metallics were painted I simply glazed them with different colors: browns, sepia, orange. Once the paints dried some chipped paint was added and also some shading. Details will be added later.

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    The desert

    Base was covered with white glue (the stuff you use for wood or static grass) and sprinkled with sand and some gravel. I use the same sand and gravel on bases of my gangers so everything fits nicely. As for the colors – once again I decided to make my life as easy as possible. Sand was glazed with some heavily diluted brown / sepia just to give it some hue and enhance shadows. After that there was a bleached bone / white drybrush and some chalks for the final. I sprayed varnish over the base to attach chalk to the base. Turps also works fine but it’s pretty stinky and flammable so be careful with that stuff!

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    The material I used to cover the back wall was the filler which I used for casting. It’s something like very fine sand. I didn’t use the same sand as for the base because I wanted to achieve different texture: more like concrete than sand or rock. Again: layer of white glue, layer of filler and voila!

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    Painting the Scavvy bunker

    Painting wall was similar to painting base: glaze, drybrush and pigments. Also color choice was similar to keep whole thing coherent.

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    Some scale shot – still work in progress…

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    And the final: PVC edges were painted black, some more details added: turrets lenses, rust here and there, arch-villain posters, oil leaking from the barrels, blood splats. It’s a piece of battlefield, not some sort of Xmas tree so try not to get carried away.

    Finished photography background

    I must say I am really satisfied how the thing came out – I used similar colors on the Scavvies so these nasty bastards fit the base just fine. And if I ever get bored but this scenery I will just paint some oldie sci fi models (like Cartel agents from good ol’ Warzone), pin them into the base and put in the proper shelf in the display case.

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    Hope you like it. For more of my stuff – just visit my blog or wait pariently for another text to be spawned.

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    Cheers!
    — Demi_morgana