If you want to give feedback, and I welcome it, remember that I must avoid techniques that add too much time or too many steps. However, ideas on placement of highlights and whether the last highlight needs to be stronger, or there's too much of a jump from one shade to the next, is very useful as that's sometime that I can do without increasing how long it takes to paint each miniature.
Here's a quick look at the steps I take:
- I start with a base coat. This is my mid colour.
- A glaze/wash is created using Fluid Matte Medium, Flow-Aid Water, Slow-Dri and paint. So far it's been a tinting colour rather than a darkened version of the base. I will experiment with a darkened version of the base in my next batch. I fould the Slow-Dri to be essential, as much as I didn't want the glaze to dry slower, it tended not to stain the raised areas when I used it. I got back and try to pull any puddles out of the raised areas. This becomes my shade.
- The first highlight is just the mid colour again. I paint it on like a highlight hitting any surfaces facing towards the light.
- The second highlight is the mid colour usually lightened with white. I choose white because I generally want items to look washed out and drab. I reserve this for upwards facing edges although one of my biggest challenge is to not over-use it.
Here is the base I'm planning. The box contains 52 miniatures. Victrix British Peninsular Center Company, 28mm multi-part hard plastic. I am basing them 8 to a 60x60mm base. I am painting in batches of six, because I find it most efficient.
Click to see full-sized image
This is after a couple painting sessions, maybe three hours in. There are six being painted all together, but I cropped to three to better show detail. I've finished the flesh, red of the jackets, and the grey pants. Grey pants were last and it was only when I'd painted three did I discover the positive improvement Slow-Dri made.
Paints are Vallejo Model Colour, mediums by Liquitex.