Mordred wrote:Now my results at painting comps reflect more my 'popular score' than my 'technical score'. so coolmini is still useful for me.
yeah but that's the thing i wanted to point out. you won't get an objective score that is only judging your technique at CMON...
IMHO when you're a good painter you KNOW if your technique is good or not. basically if you can paint smooth transitions you've arived, not much to change there. the rest is style and some people will like your/my/anyone's style and some simply wont.
This might sound cocky but isn't at all meant that way, but I feel that technique wise I cant learn much anymore. I can still tweak on my favourite 4, 5, 6 techniques but it won't be much advance. I can now only hope for cool ideas and for strong nerves so that I hold on to working concentreated for hours and don't get sloppy...
I also don't see where you could improve your technique, honestly. You do a good blending on colors. Judging from your last mini I'd say you don't yet have the knack of metallics, but it's not really different from layering other colors. you might want to try to work with washes more and paint it like it were NMM (e.g.: I usually apply my 3 rules of NMM even when painting metallics) it will catch a judges eye, I'm sure.
Also, don't be too crazy about a Golden Demon ("We need's it, we waaaannnnnnt's it"). Just do something that you can enjoy painting and don't think what the judges will like or not. It won't work.
I was confident enough that my Nurgle dude for the Gaming Day in Vienna this year could beat even a monster, because it was at a good standard technique wise (both conversion/painting) and well, the judges taught me better, because I lost to something they thought was OMGWTF IMPRESSIVE!!!!111 and it sure wasn't better technique wise...
you see...do your thing, do what you like, do what you enjoy and if you don't win a demon you will not even be pissed off because you had fun while doing it and don't have to think "oh sheet, I invested sooo much time in thinking what could be considered cool by some judge and now it was all in vain"
If sort of happened to me, scoring "only" second in Vienna that day but it was actually not much of a tragedy, because I really liked the miniature and had fun while doing it. When the actual competition day arives there are so many factors that you can't influence...so much can happen...
I also often said: "oh I'm not bothered...." and then came the "but...!" and as soon as you have the "but" there you're actually bothered

nothing wrong with that, but basically it's a waste of your energy that you could invest into precious painting
